“The play does not exist in the theater as a written text until it has been absorbed in the process of production. Drama is ‘translated’ or transformed into the person of the actor — “the body of the art of the theater”, as Stark Young put it.“
Harold Clurman, On Directing
‘The body of the art of the theater‘: Watching Mark Thomas McKenna* in rehearsal for RETROSPECTIVE, this quote came to mind. These words suggest one of the most important truths for any playwright or director: it’s mostly about the actor in theater that matters, theatre that moves us. Actors may not be everything in theatre but they form the essence of what we want to see on stage. Alan Ayckbourn, one of our greatest living playwrights and the clearest explainer of playwrighting, agrees; “Theatre is not about the writing, it’s not about the directing. It is about that, but in the end it’s really about the actors and the audience and most audiences – aside from the cognoscenti who sit there being experts – come to watch a bit of acting.”
Mark brings to this work (with our three other stellar actors featured on this page) more than 35 years of experience acting, devising, teaching, producing, and presenting ensemble created work for the stage. He blends the mimodynamics of two years at Ecole Jacques Lecoq in Paris with improv training from Second City. He incorporates insights gained at HB Studios with the great Herbert Berghof right alongside the clowning technique gained from studying with the great vaudevillean Avner Eisenberg better known as Avner the Eccentric. The latter skill showed up big time in his portrayal of Don Quixote.
But fundamentally Mark brings himself to the play, a grand artist who never stops learning while sharing his talent. Clarity of utterance, agility of movement, depth of feeling, generosity of spirit, and quickness of thought characterize his work. Make sure you see him as RORY in one of our three performances in RETROSPECTIVE
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