Tag: BroadwayWorld

  • Jeremiah Alexander in RETROSPECTIVE Triumphs As Clint Belinsky, Accidental Artist

    Jeremiah Alexander in RETROSPECTIVE Triumphs As Clint Belinsky, Accidental Artist

    Jeremiah Alexander smiling because he knows how much audiences will love his portrayal of Clint Photo Bill Wadman

    For playwright, T.J. Elliott, and actor, Jeremiah Alexander, this collaboration stems from September of 1978. Alan Brody as the male leads in a regional production of George Bernard Shaw’s The Devil’s Disciple. First, they were fellow actors, then for a time roommates, and later, and always, friends as both moved to NYC to pursue careers in theater. They both studied with acting teacher legend Terry Schreiber and appeared on stages that happened to be in cellars, barrooms, lofts, and even occasionally a real theatre.

    A pledge was made by T.J. once he turned to playwrighting in the early 1980s that one day he would work with Jeremiah and benefit from his chum’s comedic talent, irrepressible energy, and unique intuition. Necessarily working straight jobs and happily raising a family with wife and now Executive Producer, Marjorie Phillips, however, kept that rendezvous from happening until now, but the result is worth the wait. Jere enchants and entertains with the antics of Clint Belinsky, described in the script of RETROSPECTIVE as “late 60s, looks even younger, artist & enjoyer of life.” The last part is an understatement; Clint is a painter who admits, “Art was cool but some days I just heaved the paint up there and hoped for the best.” This so-called ‘seminal figure in the Soho crowd‘ concedes his “talent lay in a different direction” than his fellow painter and our protagonist, Rory McGrory (Mark Thomas McKenna), and apparently that direction took him into the arms of both Rory’s wife, Pippa LeFebvre (Adara Totino) and her best friend/his worst enemy, the ferocious critic, Z (Jasmine Dorothy Haefner). Rehearsals run long because we can’t stop laughing at Jere’s sparkling, loopy creation of this one of a kind character.


    Jeremiah’s return to the stage comes after a long career in film, television, & commercials. Television credits include Mozart in the Jungle, Howl, All My Children, One Life to Live, & The Guiding Light. On film, Jere can be seen in Unfaithful, Inside Man, Goosed, & Half Baked. But where you really must see him to enjoy up close the laughter and charm he brings to his work is in RETROSPECTIVE. Get your tix today at this link or on TDF

  • Exploring Reinvention on Unlocked With Madelyn Blair

    Televised discussion on YouTube

    What a great pleasure and privilege to talk to Madelyn Blair about reinvention on her intriguing and insightful video program, UNLOCKED (https://lnkd.in/eicbTx3K) . We ranged from our common interest in knowledge sharing to the ways in which any of us can create a new reality in our lives. And thanks to Madelyn for giving me another chance to talk about my latest play, HONOR, with just four performances left at the Gene Frankel Theatre in lower Manhattan: October 3-5 at 7 PM and Sunday, October 6th at 1 PM. Tix at our.show/honor
    The program is available now on YouTube
    https://lnkd.in/eMi4i6w9

  • Wonder if Reviews Recommending HONOR Are Accurate? Come Judge for Yourself!

    Ed Altman, Alinca Hamilton, and John Blaylock make the story sizzle

    Okay, one more plea to see HONOR at The Gene Frankel Theatre before it closes on October 6th, but this time the recommendation comes from reviews for which we are SOOOO grateful

    Tix at  our.show/honor

    1) “Written and superbly directed by T.J. Elliott…All of these actors are first-rate in their performances.”


    2)  “The play masterfully takes what appears to be an apparent disagreement over a value interpretation of an issue to a place that reveals the complexity of not only the interpretation of the issue but also each of the participant’s values. The ending provides an excellent explication of the complexity of human character in the interpretation of what constitutes personal honor, leaving one with intriguing ideas to contemplate.”from Scotty Bennett, TheaterScene.Net
    Did that work? 

    Click here for Tix

    No? Then read this one…


    3)    “Eloquently and dramatically skewers the current business culture… provocative entertainment.” “Elliott also directed and his physical staging is crisp, well-paced and contains momentum. The personable and talented cast of Ed Altman as Don, and Alinca Hamilton and John Blaylock,as the lawyers, all deliver energetic and authentic performances. This trio shines in the concluding sequence… “


    4)    “Technical and artistic director Gifford Elliott contributes smoothness to the production with balanced lighting and sound. The realistic,simple scenic design consists of a long table, wheelie chairs, a white board on an easel, and a large running wall clock which add a cool real-time dimension to the stated 45-minute proceeding.”from  Darryl Reilly, Encore!      
    Come on, you like theater and this is a well-reviewed relevant piece.

    Click here for tickets to a show that is rollicking and relevant
    Not good enough? How about what…TimeOut says
    In this dark corporate comedy by writer-director T.J. Elliott, three executives chew over—and perhaps spit out—the results of an investigation into a case of harassment that has been brought against by one of them. Alinca Hamilton, John Blaylock and Ed Altman play the compromised trio.”You need a night out so go to this link for those tickets
    70 minutes of fast-paced fun that surfaces realities all too familiar for many of us in a grand historic theatre in the lively NoHo neighborhood at 7 PM (Sunday at 1 PM)

    Tix at  our.show/honor

    BONUS: Tell us this post persuaded you and we’ll give you a FREE wine or beer in the lobby of the Gene Frankel Theatre

  • Broadway World interviews Playwright & Director of HONOR, T.J. Elliott


    We are grateful to Broadway World for its interview of T.J. Elliott, Playwright & Director of HONOR, which opens September 19 at the Gene Frankel Theatre and runs until October 6. You can read the full interview here as Joshua Wright talks to T.J. about his journey from theater to the corporate world and back again to theater in 2018. T.J. also speaks about the importance of Joe Queenan, his collaborator on the plays alms, grudges, genealogy, and the Oracle, in his return to playwrighting as well as the circumstances that prompted him to write this latest play, HONOR. Tickets to honor are available at our.show/honor

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