All Nine London Test Posts About RETROSPECTIVE’s UK Premiere
Obsessed with tests? Yes, but this post offers advice for all performing and presenting artists
The words test and toast qualify as etymological cousins. Language experts think that the former word meaning originally “a piece of burned brick, clay, or tile” derived from the Latin “tosta, from torreō (‘to burn, parch’).” That means our word ‘torrid’ is in this linguistic clan as well and London reached 100 degrees Fahrenheit as we departed yesterday after the conclusion of our run of RETROSPECTIVE. Torrid!
The other connection between TEST and TOAST is that after a theatrical experience like the just concluded run of RETROSPECTIVE — as depicted in our nine post series London Test — all participants including this playwright and his goddess of an Executive Producer wife are ‘toast’ as in the colloquial sense of burnt out, frazzled, exhausted. (Bonus phrase reference; the use of ‘toast’ in this way purportedly originates with words mostly written by Harold Ramis and dan Akroyd but spoken by Bill Murray as Venkman in Ghostbusters “as he prepares to fire a laser-type weapon … ‘This chick is toast’.” )
Knowing that after such an adventure as RETROSPECTIVE , you’ll be the metaphorical equivalent of a word that originally denoted “A slice or piece of bread browned on both sides by exposure to an open fire, a grill, or other source of radiant heat (formerly often immersed in wine, water, or another beverage)” should prompt theatre makers and other artists to journal about their work while it’s unfolding. Creating performance or presentation involves activity (and often anxiety) on many different levels; the work is multi-faceted. It’s x-dimensional chess and you have to solve for chess just like in high school algebra.
This is not just about theatre; my good friend and sometime cast member, Patrick Smith, just published his first novel The Last Revision. The event extends beyond the writing to the revision, negotiation, promotion, and reflection of all of the material. Talking to him in London when he came to see RETROSPECTIVE provided a rich travelogue of that journey from the book being done to the author never being done. Well, it’s just that Patrick is not there yet. Waiting to capture the impressions and insights of your creating means you’ll miss a few. (Emily St. John Mandel, one of my favorite contemporary authors, seemed to turn her jottings from the experience of her hit novel Station Eleven into a whole other highly imaginative novel, Sea of Tranquility. So, there’s that possibility too from journaling during the work.)
Creation of ANY type is perplex. The wonderful Word Origins newsletter reminded me of one way of portraying the process: x-dimensional chess:
The earliest citation of three-dimensional chess in the Oxford English Dictionary is a literal one, found in H. J. R. Murray’s 1913 A History of Chess:
The latest derivative game of chess is Schachraumspiel, or Three dimensional chess (see Dr. Ferd. Maach, Das Schachraumspiel, 1908).
The German is literally chess-room-game or translated more idiomatically, spatial chess game Word origins is very cool
Joe Queenan and I when writing Grudges in 2019-20 took advantage of the pretentiousness of the ‘playing x-dimensional chess’ term to skewer a certain political figure whose cult members claim he’s operating on that level, but as Dr. Spock knew (but NOT Dr. Einstein apparently) chess like creating art tests not just our cognitive intelligence, but also the emotional type along with resilience and adaptability. In writing the nine posts about our LONDON TEST, some elements likely escaped that documentation, but the journaling helped me to understand what this thing called theatre and myself within it is all about
The nonet of London Tests
London Test: 74 year-old Bronx Irish Catholic Guy Takes His Play to London contains the links to posts 1-4, which emerged as Substack notes
London Test # 5: Collaboration, Inspiration, Admiration
London Test # 6: Rothko knew what Rory knew
London Test # 7: Claps and Clunks
London Test # 8: “You’re going to love London audiences”
London Test # 9: “Time’s up; Pencils down”
